Bob Wilvers… Up to Date
I’ve recently added to my old post on the artist Bob Wilvers from the 1960’s, so for those of you who didn’t follow me back in 2011, here’s a complete update. Enjoy !
Bob Wilvers was the art director for the Carl Ally agency in the early 1960’s when he developed a campaign for Salada Tea. The commercial featured little old ladies on large Harley-Davidson motorcycles and the tag line ….. ”Who says that Salada Tea is for little old ladies?” There’s a link to a poor copy of the original ad here and another 3 amusing Salada Tea ads here.
In 1964, he became a founding partner and co-creative director at Jack Tinker & Partners, with a client roster that included Coca-Cola, Gillette and Alka-Seltzer Plus. He was an accomplished watercolor painter and illustrator whose work was featured in several galleries and museums. Apparently Milwaukee based Wilvers was just 24 when he painted these.
I received an email from Terry who had read my blog about the illustrator Bob Wilvers and for those of you who missed it (tut tut) you can catch up here. At the end of the article I asked if anyone knew of any more of Bob’s work could they let me know. Terry not only knew of his work, but had an illustration of his own and even sent a copy so that I could show you all.
Terry explains ” I found this WC in a very rural part of Indiana and it reminds me of an area in West Allis, Milwaukee which was a district of homes which were bars/pubs on the first floor, and homes/apartments above on second/third floors. The signature looks a little like “williams” but on the back printed in pencil was Bob Wilvers on an entry form to an art exhibit in Milwaukee, so I assume this was painted well before he moved to NYC. Bob thumb-tacked the paper to a board, you can see 6 white holes around the edges where the water flowed around.” Such wonderful work, again with such spirit and so well observed. I’m so grateful to Terry for sharing this beautiful piece of Wilmers’ art with us, thanks again Terry.
For those of you who are still following me, regarding the story of Bob Wilvers, there is yet a further addition and a surprising happy ending.
After a reader of my blog sent me an image he had of Bobs’ work, I was suddenly gripped with an urge to see if there was indeed more images to be discovered. I was lucky to be able to track down Bobs’ daughters Roberta and Tracy, and they very kindly sent me some images of the pieces of their fathers’ work, that they had in their homes. Such beautiful work should be shared with many and I hope that by blogging here, we can all appreciate what an amazingly skilled artist he was.
Roberta informed me that ” The images that you have on your blog came from the Ford Times October 1956. It was an article that was written by my mom and illustrated by my dad. One of the attached images is also from that piece. The other images are from the August 1957 issue. The Ford Times had quite a few piecesof my dad’s work. They donated one of the them, ‘ Trinity Church ‘ to the Smithsonian in Washington DC. ”
I love the summery feel to his watercolours above and perhaps later images below where Bobs’ style has developed and flourished into new areas.
My favourites however are still his beautiful landscapes, with their rich colours and textures.
Sincere thanks again to both Roberta and Tracy for kindly allowing us access to the images above. Amazingly, I’ve just managed to find an online copy of the Ford Times magazine October 1956 for sale, which features some of Bobs’ work. So a little piece of Mr Wilvers will live in my home too.
Also many thanks to Marilyn for sending this image of two paintings of Bob’s that she saw an antique show approx 10-12 years ago in the booth of W M Schwind Jr Antiques of Yarmouth, ME. They were marked $3500 each.
Finally this week a reader called Richard contacted me with these two wonderful pieces. Apparently, Richard’s father told him that Bob painted these in his eighth grade, they have been hanging on his living room wall since he was a child. How lucky ! Thanks Richard for getting in touch and sharing those with us, much appreciated.
If anyone has any links to more of Bob’s beautiful illustrations could they please let me know.
Fishink Random Mix
Since about 2008, I’ve been collecting images from the internet that have caught my eye. Way back then, I wasn’t so diligent in keeping records as to where images came from, or who had painted, photographed, illustrated or indeed created the artwork in the image. So I apologise in advance for their lack of referencing, but to be honest, it was purely about seeing groups of imagery together, that for whatever reason, I enjoyed.
As I have managed to amass quite a few of these ‘collaged sheets’, I thought I would share them with you, in the hope that they may also provide some inspiration to you the readers, from their shape, colour, texture or out and out randomness : )
I hope you found something inspirational here today ? More on my Instagram here. Don’t forget to add and follow me too, thank you.
Ruth and James McCrea. Children’s Illustrators from the Sixties
Ruth Pirman was born in Jersey City on May 28, 1921. She attended schools in Brooklyn Heights, in Brightwaters, and in Florida, and earned her bachelor of fine arts degree from the Ringling School of Art in Sarasota, Fla., where she met her future husband, James C. McCrea.
James was born on Sept. 12, 1920, in Peoria, Ill. He attended Sewanee: the University of the South in Tennessee, and served in the merchant marine during World War II. He also taught typography at Cooper Union in New York City for a decade.
The McCreas were married on July 4, 1943.
During World War II, while James served in the merchant marine and she lived in Miami with her in-laws, Ruth supported herself painting watercolors of the Bahamas, producing more than 500 of them. The couple moved to New York City after the war and lived in Bayport from 1956 until 1980, when they bought a house in East Hampton and retired there.
In their professional lives, the McCreas worked with many of the major publishing houses in New York. They also collaborated on four children’s books that Ruth, wrote and illustrated, which were published by Atheneum Books. In 1963, the American Institute of Graphic Arts named one of them, “The King’s Procession,” one of the 50 best books of the year.
I particularly like the illustrations in this book ” The Birds “, it has such a charm about it and I love the contrast between the birds and their environment too.
More Medieval dragons, castles and celebrations in ” The Story Of Olaf “.
Among Ruth’s independent work were the covers and illustrations for dozens of cookbooks published by Peter Pauper Press, with titles ranging from “The ABC of Canapes” and “The ABC of Cheese Cookery” …
… to “Simple Continental Cookery,” “Simple Hawaiian Cookery,” “Aquavit to Zombie: Basic and Exotic Drinks,” and “Abalone to Zabaglione: Unusual and Exotic Recipes.”
In East Hampton, where she was a longtime member of the Ladies Village Improvement Society, Ruth was known as the “dollhouse lady,” her family wrote. She built and lovingly maintained a collection of elaborate dollhouses, all impeccably furnished and decorated. In years past, she often opened her historic Main Street house to visitors interested in her creations. The largest of them was called Hazard Hall, because, according to a 2011 article in The Star, “it was too hazardous to get anywhere near it because things, like the children’s chess pieces and their father’s handkerchiefs, disappeared into it.” “Every time life was too much for me, I would start another room on the house,” she told The Southampton Press in 1998. “It’s a form of escapism.”
The McCreas also collaborated on dozens of book jackets, designs, and illustrations including covers for novels by such writers as Graham Greene and Iris Murdoch. They worked together on the original oil paintings used for the cover design of the full set of Ernest Hemingway titles in the Scribner Classic series. Some featured below.
Sadly James passed away in 2013, aged 93 and Ruth in February 2016, aged 94. I love their strong graphical, quirky style and I’m certain their work has inspired many Illustrators and Graphic artists since the 1960’s too. I’m sure I’m not alone in loving their wonderful work ?
Fishink Walks
Welcome back, hello and a Happy New Year to you all for 2017. I hope this finds you all well, rested, fed and ready for the year ahead after a well needed, festive break. We were very fortunate to spend Christmas with our good friends over in Tarporley, here’s a few snaps from their beautiful home.
There’s also some great countryside trails to be found around the area. On the first of the icy days, we took a stroll along the canal.
I love seeing lines in the landscape.
Still bits of colour too, alongside shape and texture.
Most folk were tucked away in the warmth so we had these views, largely to ourselves.
I discovered this frozen puddle on the roof of one of the barges. It looks like a solar system captured in glass.
Some lazy, low afternoon sunsets.
Of course Boo enjoyed all the smells of the countryside, until her feet got too cold!
What were your best memories over the last few weeks ?
Fishink and the LNCCF
I heard that the Christmas Little Northern Contemporary Craft Fair was on a few weeks ago, so I popped along to Altrincham Town Hall to take a view.
This isn’t the Town Hall (below) by the way, just a beautiful building I spotted en route, and the lower shot was taken in the Market Hall, which hosts a variety of craft, design, vintage and food stalls, alternating the theme most weekends.
The LNCCF show was in a great location in the Town Hall, with plenty of new work to catch my eye and interest. I stopped to chat to a couple of exhibitors, the first of which was Von Allen and her amusing Heartfelt Dogs. Von says ” All dogs are individual one-offs. They are needle felted from 100% wool with glass eyes. Their clothes are selected from various vintage ranges from Paul and Sindy, Ken, Action Man, G. I. Joe, and other action dolls.”
“I’ve always been creative; my mum had me down as a Blue Peter presenter due to my ability to produce something out of nothing even when I was a kid. Those of you of my generation might remember the Blue Peter Book of Teddy Clothes with an extensive range of costumes you could make, including a pirate, a cowboy and a pilot’s outfit; I made them all. Growing up, I was a little obsessed with puppets and stop frame animation; Hector’s House, Pogles Wood, Noggin The Nog and Topo Gigio were all very real for me. ”
I spotted a few faces I was sure I’d seen running around the fields earlier that day ! Beautifully made and I’m always drawn to work that makes me smile.
The second stall I really admired, was the work of Linda Baxter from The Black Fish Press.
Linda says ” My interest in lino block printed textiles began back in the 1980s while studying for a History of Design degree at the then Manchester Polytechnic, where I came across textiles designs by 20th century artists and sculptors like Ben Nicholson and Barbara Hepworth who, in the 1930s, had designed and printed lino block fabrics for their own use, some of which were later produced commercially. Researching and reproducing these textiles was a great way of learning and understanding the design disciplines and printing techniques involved.
Now retired from art and design teaching, I have started designing and printing again, returning to my favourite printing method. “
I also wanted to catch up with a friend I had made a few years ago when exhibiting previously with LNCCF, Jeweller Heather Fox. Heather was selling her Jewellery and new range of unique christmas decorations at the fair this year… aren’t they great !
I had long been inspired by a ring I bought for my partner back in the early 90’s, from a Jeweller in the Manchester Craft and Design Centre, who’s name I don’t remember and has since moved. (If anyone knows this designer’s name, please let me know).
It’s a fun silver ring called “Anteater, Two Lizards and a Fish” and I decided that I wanted to create something similar for myself, using my own drawings and the skills of a Jeweller who’s work I liked. I had a chat with Heather about my idea, and the collaboration was accepted. Heather had already created work which involved layering silver upon silver, and had a sense of humour (with her ‘Chris Moose’ below) that I could also relate to. I’m excited to see what happens.
Of course I will be using some of my illustrations as a starting point…. watch this space for more news !!!
I also couldn’t help but buy one of these lovely glass birds by maker Heather Gillespie. It will sing loudly from the tree this year : ) Lovely skies we are getting lately too. How are your Chrismas plans going so far ?
As this is my last blog post for 2016, there’s just one last thing to say…..
Happy Holidays Everyone! Let’s all catch up again in a couple of weeks… bye for now.
Fishink at YSP
I wanted to start today by sharing my latest commission with you. I had a similar illustration (but with foxes on) at the Sale Arts Trail Bazaar last weekend, and someone requested a version with cats and so the rest (as they say) is history. If anyone else would like an individual commission, just let me know. craig @ fishink.co.uk and I’ll see what I can do, thank you.
I can’t resist a trip to the beautiful Yorkshire Sculpture Park. Everything about it appeals to an artists eye, soul and heart. Plenty from St Judes artists to keep me smiling too lol. Lovely new ceramics from Angie Lewin and bags from Emily Sutton.
Stolen grassy glimpses of nature from ceramist Karen Howarth.
Excited ceramic birds on the work of Anna Lambert.
I’ve never made it to Y.S.P with Boo (my dog) before, so it was as much a treat for me as it was for her. Although I’m still not sure all the driving went down so well with her ! Does anyone else have a dog that seems to completely hate being in the car ? Ah well, she made up for the journey by her excitement at seeing the grounds. I’ve never visited the YSP Chapel before either.
Boo got quite a few admiring comments, as did the coat I had made for her recently.
The grounds looked amazing on this frosty, yet sunny day. Wonderful colours.
Boo.. a natural poseur!
I’m pretty certain that Henry Moore would have loved to see his work in this setting.
Even Boo appreciated it.
Don’t forget (as mentioned in my last blogpost) the indoor exhibition here by Angela Harding in on until Late February next year.
I couldn’t resist making a few new purchases of my own. A lovely new calendar and mug from
and a ceramic tile from
Both available from the YSP shop. Early Christmas presents for me, and just what I wanted too! lol
Angela Harding at the Yorkshire Sculpture Park
It was five years ago that I first talked about the work of Angela Harding. Her work was more painterly back then, and since, an illustrative, defined and more distinct style has blossomed. I went to Yorkshire Sculpture Park this week to view her current exhibition “Flights of Memory”, which is on until Feb 26th next year. Just look at the display in the foyer.
Here’s Angela working in her studio, what an inspiring view !
As usual with photographing works of art behind glass, the lighting and reflections obscure the work slightly, so apologies for this. I’m certain, however, that you can still appreciate the beauty in Angela’s work.
There’s a whole alphabet of birds to choose from.
I love the aerial perspective of this Curlew flying over the town.
I took a few close ups so that you can see the detail for yourselves… wow!
The snowy scenes below are also available here as advent calendars, what a great idea.
I’m always excited to see how other artists work, their tools of the trade, how they use their sketchbooks etc. So lovely to view this display case, full of woodblocks and cutting tools.
Oooo and sketchbooks too !
Of course with Angela owning dogs of her own, I knew a few Whippets or Lurchers wouldn’t be too far away : )
So many designs I admired, such an obvious love for nature and their simplistic colourations, all work so well for me.
As soon as I got home, I went onto Angela’s website and purchased these two keepsakes. Now I can think about her every time I wash up lol.
Do visit and see Angela’s wonderful exhibition, on until Feb 26th next year.
Part two from Yorkshire Sculpture Park next Monday.
Fantastic Beasts and where to find them.
By a strange twist of fate last night, I ended up going to see the new film from Harry Potter author J.K Rowling , called ‘Fantastic Beasts and where to find them”.
Played by the lead actor Eddie Redmayne and based on a character called Newt Scamander (who is mentioned in the first of the Potter films), it’s a story of magical mischief set some 70 years before Harry Potter even started reading his school books. The year is 1926, and Newt has just completed a global excursion to find and document an extraordinary array of magical creatures. Arriving in New York for a brief stopover, he might have come and gone without incident, were it not for a No-Maj (American for Muggle) named Jacob, a misplaced magical case, and the escape of some of Newt’s fantastic beasts, which could spell trouble for both the wizarding and No-Maj worlds.
Stunning visuals and creative creatures.
Dark arts magic and mayhem too.
Amazing to see what CGI can achieve these days, and some stunning New York visuals from all perspectives of the city. There is said to be a further four films coming our way in the next few years about Newt! Great to loose myself in a little Christmas magic for a couple of hours.
There’s more info in this review from the Guardian newspaper here.
Sale Arts Trail 2016 Christmas Bazaar
Christmas came early yesterday as I took part in the Sale Arts Trail Bazaar.
Over 40 designers took part including a few new friends like knitwear designer
https://saleartstrail.com/2014/11/12/qa-knitwear-designer-clare-wright/
top left and organiser Sophie Nixon top right. The rooms had been wonderfully decorated and felt warm and festive.
There was a good steady flow of visitors. Sadly, I only had a brief chance to literally whiz around the other stands, but I did admire the work of furniture designer Neb Abbott. His lighting display had some wonderfully patterned structures to them.
This was my Fishink stand, great to have a bit extra wall space (thank you Sophie) to really show off my larger pieces. Thanks to a couple of friendly, regular clients, giving me new commissions to make for them, I had a good show. If anyone else would like something special making for their walls do drop me a line. Craig @ Fishink . co . uk
A couple more familiar faces here and there, and a cleverly co-ordinated stand from Bronwen Simpson who works from Marketplace Studios, Stockport and makes beautifully steamed, ladies felt hats and pure wool scarves. She looked very dapper with her pheasant-feathered hat !
Thanks to the organisors/exhibitors for their company and support yesterday, and to everyone who came (including Craig and Annette) and purchased something to help support local small businesses …what a pleasure to work within such a great designer community.






























































































