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Vintage Cook Book Covers

October 17, 2012

A couple of months ago I blogged about Vintage Children’s Book Covers and whilst I was creating that post, I came across the idea for this one.

I’ve previously talked a little about the work of Tom Funk and Joseph Pearson who both illustrated beautiful books for Betty Crocker. Here’s more from the 1950’s and 60’s. Enjoy.

I like this image of the bear patiently waiting in line for his BBQ share.

At this chilly time of year the illustration below for Bennett’s Vitamin Enriched Soup is perfect.

Recipes fit for a king or at least the Fox family !

If you have any similar images from Joseph Pearson or Tom Funk or someone else I’ve not mentioned and you’d like to share them, post me a few and I’ll assemble them.

All this thought of food is making me hungry !

Autumn

October 15, 2012

Ok, it’s official. I’ve finally succumbed to the fact that autumnal times are here and that summer won’t be making a long term appearance this year. I must admit that Autumn is one of my favourite times of the year and I love days like yesterday with it’s mix of sunshine, mists, icy crispness and seeing the trees starting to change colour. It’s a great time of year. Here’s a few images I took recently.

Even my visit to Ikea last week seemed to be trying to tell me something.

What do you like about Autumn ? I would love to be back in Connecticut in the fall.

Tom Funk Mid Century Illustrator

October 12, 2012

Tom Funk was born in Brooklyn on 18 July 1911, and attended Amherst College, the Art Students’ League and the Beaux-Arts Institute of Design, New York.

He was working in a display studio when he met Edna Eicke, later a celebrated New Yorker cover artist. Here’s a little of Edna’s work for ‘ The New Yorker ‘  in the late 1940’s and 50’s.

They were married in 1943, and until 1953 they lived in Greenwich Village, New York. Like many other artists, writers and actors, they then moved to Westport, Connecticut – considered an artists’ community, and at that time regarded as being way out in the country. Here’s some of Tom’s black and white etching style work.

Tom’s career included freelance book, magazine and advertising illustration. His work appeared regularly in the New Yorker and the Dramatists Guild Quarterly, and frequently in Harper’s, Woman’s Day, Gourmet, House & Garden and LIFE. He designed Christmas cards, and for many years contributed the Amherst College New Year card; he illustrated books and activity kits for children, textbooks, and many cookbooks. His grandfather and great-uncle had founded the dictionary publishers Funk & Wagnalls, and Tom illustrated four books on word derivations written by an uncle, Charles E. Funk, the firm’s former head lexicographer.

After nearly fifty years in Westport, Tom moved to Norwalk, Connecticut, where he continued to draw and paint local scenes and was happy to prepare artwork for many local organizations. His last major project was a collaboration with the late William G. Cahan of Memorial Sloan-Kettering Cancer Center, NY, on a series of anti-Big Tobacco cartoons. His hobbies included folk dancing – until his death, on 9 October 2003, aged ninety-two, he was an active member of the Nutmeg Folk Dance Group – and playing banjo with friends. He sounds a great character as well as an amazing artist.

The Great Northern Contemporary Craft Fair 2012 Review Pt 3 Latimeria, Sarah Heaton, Kaper, Suet Yi, Treefall Designs, Sarah Malone.

October 10, 2012

Welcome back to the final part of this year’s review for the Great Northern Contemporary Craft Fair 2012. If you’ve missed the previous two blogs then scroll back and see the other amazing designers I was privileged to meet. Let’s begin with some stunning Jewellery and fine stainless steel tableware from Finish designers Latimeria.  Katriina on the stand looked like a glamorous Bond girl, who would guess she doubles as a metal worker in her other working life ! : )

I was quickly drawn to the vintage feel of the Little Walton Bank’s ceramic range cleverly designed by Sarah Heaton. I think their shape, colours and decoration are all in perfect harmony, and with that retro twist, they would make stylish contemporary pieces when placed in any home.

Manchester based company Kaper  presented a quirky, yet refined, collection of birds and beasts.  All cleverly sculpted by paper artist Kate Kelly.

I admire her 3-D design skills and technical knowledge in working out how to mould and shape paper so beautifully. More images on her Blogpage.

Suet Yi‘s ceramics are like captured snapshots from time which have been savoured and then turned into pottery. I love how her illustrations appear both free and floaty and her colours move around the pieces like dashes of watercolour on a painted page.

On her site she explains ‘During the final year of my degree, I gave all my heart to create my own body of work. I played with clay every day and night. Sometimes it did not listen to me. Sometimes I misunderstood it. The path to understand ceramics took a lot of patience. Even if we annoyed each other, my love towards my work is more powerful than an alarm clock. It wakes me up every morning’  What a lovely way to express your approach to work.

I didn’t get a chance to speak to the lovely Manda on the Treefall designs stand but got her ok to show you the wonderful array of bright and fun products she creates in her studio.  Another Laura Ashley in the making I feel !

Which brings us to some new work by CNCCF regular Sarah Malone. Her japanese inspired pieces always ‘zing’ with their red and orange finishing ties and ceramic beads.

Other show regulars included Tone Von KroghLinda MillerFiona at TessutiDavid Ashby and Katie Almond and it was lovely to catch up with them all again. I hope everyone had a great show. Thanks to Ann Marie and Angela for inviting me, putting me on their guest list and for such a well organised event.

I hope you enjoyed the virtual tour as much as I enjoyed the real thing. Roll on next year !

The Great Northern Contemporary Craft Fair 2012 Review Pt 2 Bruce Aitken, Rachel Elliott, Astrid Weigel, Chrissy Silver, Liz Cooksey, John Grayson and Naughty Dog.

October 8, 2012

More from the wonderful Great Northern Contemporary Craft Fair 2012 that took place thursday to Sunday last week in Manchester. To start us off here’s some stylish woodwork from clock maker Bruce Aitken. I was drawn to the natural woods he used like cherry, ash, yew and walnut. These weight-driven pendulum clocks require winding daily, but hardly a price to pay for their gentle ticking away of the day, and bearing in mind each one takes about 90 hours of labour to create, they are more a work of art than just a groovy grandfather clock !

Next I came across the animal inspired glasswork by Rachel Elliott. Her sculptures are created using a water jet cutting machine mixed with an abrasive grit. The machine is controlled by a computer following a digital outline taken from a hand-drawn silhouette.

Once cut, the pieces are then hand screen-printed and finally fired in a kiln to make them water and light resistant. Rachel was showing a brand new range of cufflinks with that well known 70’s icon, the space invader. There’s a great interview with Rachel on UK Handmade here.

Astrid Weigel trained as a textile designer and now works from the west of Scotland producing contemporary soft furnishings. I love her use of colour and strong sense of line.

Ceramist Chrissy Silver uses a process involving pressing twigs, leaves and wild flowers into porcelain before forming them into delicate bowls and lanterns.

When the vessels have a candle placed inside, the flowers almost come to life, like when a negative is held up to the light. Flowers that have pressed deeper into the pottery leave a heavier imprint and thus create a whiter light where this happens. Beautiful, peaceful, fragments of nature silently captured into a permanent form.

More flowers but this time in textile form. Subtly colourful work by Liz Cooksey, who uses a range of hand and machine textile techniques to produce richly decorative embroideries. My photographs don’t do her work justice as it was behind glass and suffered from a lot of reflection. Click on here name to appreciate this Manchester designer’s rich tapestries.

I couldn’t fail to include these charming vintage inspired tin toys by John Grayson. John describes himself as a narrative metal smith who uses traditional metal forming and decorating processes to create whimsical, humorous and decorative objects. The Steam Launch, Racing Car, Paddle Steamer and Fishing Boat pictured below range from £125 to £985. I was amused when he pushed them along to reveal their moving parts. Great to see these vintage references.

Last but not least for today comes a company called Naughty Dog. I’m hoping that for the sake of designer Diane Marie Watson who’s a busy mum of three kids, aged between 3 and 17, that the name of her company is an amusing one and not a fact. I’m sure she has enough to cope with working at Cleveland College of Art and Design without a mischievous pooch to contend with too ! I like to imagine he sits around (in his favourite armchair) and gets drawn a lot (whilst he sighs a bit) and isn’t naughty at all lol.

The final part of my ‘pick of the best’ to come on wednesday, be sure to come back then.

The Great Northern Contemporary Craft Fair 2012 Review Pt 1 Holly Levell, Jin Eui Kim, Ella Robinson

October 6, 2012

Yesterday I spent a few hours, enjoying an artistic catch up with some of the new exhibitors at this years Great Northern Contemporary Craft Fair.

Holly Levell has created some fun soft textile sculptures with her ‘felt fabric’ take on your modern day shopping items.

Holly makes each piece by hand and even does all the embroidery on it freehand on her sewing machine. If she sells one piece, then she simply starts again and remakes it from scratch ! Amazing patience and hand to eye co-ordination. Made me smile.

Directed and precision is the name of the game for Cardiff based ceramist Jin Eui Kim.

He says ” My work explores how the perception of three-dimensional ceramic forms can be manipulated by the application of arrangements of bands on their surfaces. Depending on the arrangement, using gradients of width, interval or tone, illusory spatial phenomena can appear and thus significantly influence the actual three-dimensional forms.” Some of his ceramics are flat and some have ridges where the grey banding is. Some wonderful tricks of the eye start to play around when you’re looking at them.

Ella Robinson is a Brighton based collector of all that glitters and has been thrown away, or discarded on the street.

She has a great attitude towards recycling discarded items back into art and creates some wonderfully colourful framed collections in the process. What people don’t realise is the time that goes into saving up all of the objects, walking around on a beach in the freezing temperatures or wind and rain looking for bits of driftwood or shards of broken ceramic that will make up her next piece. I’m glad she’s brave enough to face the elements to create these stunning pieces.

Much much more designers’ work to come over the next week but in the meantime, get down to the Craft Fair which is on in Manchester, Spinningfields for today and tomorrow, times and directions here.

JOSEF PALEČEK Czech Illustrator from the 1960’s

October 4, 2012

JOSEF PALEČEK is a Czech artist who studied at the Chair of Arts of the Pedagogical Faculty of Charles University in Prague under Professors Martin Salcman, Cyril Bouda and Karel Lidický. He created many well known books from the 1960’s onwards.

He loves painting drawing, free graphic and illustrations. He has worked with architects, makes tapestry, murals and mobiles. He has created the decor for several animated films and children’s television serials. I like his dreamy Chagall like canvasses with flying figures and enlarged animals.

He has exhibited his pictures in his own country and abroad. (Tokyo, New York, Addis Abeba, Paris, Zurich, Montreal, Munich, Nuremberg, Grevenbroich, Hamburg, Kiel, Vienna, Bologne, Venice, Barcelona, Madrid, Mexico City…)

His books for children have been published by 45 publishers in 27 countries of the world. He has won awards for them in France (Paris 1973, 1974), Germany (Leipzig 1974), Austria (City of Vienna Prize 1972 and 1979, Honourable mention in the competition for the most beautiful book in Austria 1975, 1979, the Austrian State Prize 1989) and Italy (Bologne 1986, Padua 1989).ln Czechoslovakia Josef Paleček won Honourable mentions several times in the competitions for the Most Beautiful Book of the Year and the Prize of the Minister of Culture.

His work has even inspired Moser glassware  to engrave bowls with his Illustrations on them.

Baraqada Soft toys from Poland

October 2, 2012

Ok I’m not normally someone who coo’s about children’s toys, but these great designs from Basia B really caught my eye.

Basis runs a company called Baraqada from her home in Poland.  She creates such appealing characters, these mobiles made me smile. The sheep with the clouds and there’s even a black one, brilliant !

More crazy kids.

You can see more of her toys for sale here, and on her Blogpage.  Great work Basia !

Andreas Bergström Travels with my Camera

September 30, 2012

I first met Andreas Bergström 9 years ago, on a trek, half way up a glacier, on the south island of New Zealand, (ahem) as you do !  Since then we’ve kept in touch via email and as he’s quite a keen traveller, it’s been the easiest way to keep track of his whereabouts. I’ve given up counting the number of countries he’s been to, but I couldn’t help noticing as the years went by, how skilled he was as a photographer when documenting his journeys. I twisted his arm into letting us have a peek at some of his amazing images and answering some questions along the way.

Can you tell me a little about yourself, what you do and how you define your work ?
I studied music and I’ve been playing drums for about twenty years, I also play guitar and some other instruments. I studied philosophy at University and I like to go traveling when I can – which is about once a year. Photography is something I got interested in relatively recently. I have never tried to define what I do as a photographer, I try and take pictures that in some way or another are interesting to me. I know what I don’t want, and I go from there – trying to better my composition, moods and technique as I go along.
When did you first get interested in photography ?
 I remember when I was young, I enjoyed playing around with my father’s cameras, taking pictures on summer holidays and family gatherings and such, something he very much encouraged me to do. At that point photography was not a serious interest, it was just a bit of fun. It wasn’t really until many years later, when I bought a small point-and-shoot camera to document my travels that I realised I enjoyed taking pictures, not just to document where I’ve been, but the framing of a shot and composition and the rest of it. It was quite exciting, I felt like I accidentally stumbled across an interest that I didn’t know I had. A couple of years later, my 30th birthday was coming up, and I suggested to my family that they could sponsor me in buying a “real” camera. Which thankfully they did. I think the time spent playing around with my dad’s cameras as a child helped me in the sense that it demystified the camera as an object for me, I never felt that I had to treat it with great reverence – it’s there to be played with. Before I bought that digital compact camera I had relied on my mom’s, not so digital, but non the less, smallish camera. I had that camera for years and I had about  twenty-five rolls of film that I never developed until a few years ago. Some of them pictures were not that bad it turns out. So I suppose the short answer would be: when I was around twenty-eight, or four years ago.

Do you take images purely out of interest in capturing an event or scene or as a narrative to show others what you have seen ?
When I’m shooting I usually don’t think about someone else seeing the photos. I just try and create an interesting image for the sake of my own amusement. There is usually a thought behind my photos, but it is not always something I can articulate. At the end of the day I take photos for my own sake and I try not to be burden with thoughts of what other people might want to see. If someone else later on appreciates what I’ve done it’s just a bonus. But of course, when I select the pictures I want to show for others, it is very possible that thoughts of “look where I have been” seeps in. But obviously, in this context I’m talking about the photos that I put some sort of artistic thought or vision into. Like most people I also take pictures for the sole purpose of reminding my future self of people that I meet, places that I visit or events. Or sometimes just to documenting something when I’m too drunk to remember it lol.

Some of his tranquil landscapes.

Who would you say has influenced you artistically ?
Although I like to go to photo exhibits and I like to surf the web, to say that this artist or that artist has influenced me more than any other would be somewhat pretentious. I do of course get inspired and influenced by other peoples photos and style, but it is on a photo to photo basis. And a photograph that inspires me is just as likely to be found on some “amateur” art student’s blog, as it is in the art gallery. There are so many talented people around. If I had to pick one person who has inspired me it would probably be my long time friend Daniele. He has this innate and seemingly effortless sense of composition and aesthetics that I find both enviable and encouraging.
You have a keen eye for detail and know how to frame an image perfectly, did you have any formal training in photography or arts related subjects or does this talent stem from somewhere else ?
When I studied music I took an optional photography class for one semester – which I barely managed to pass. Rightly so because I was absolutely rubbish. That is as far as my formal photography training goes.
He’s as proficient when documenting people as he is with animals.
I like the fact that he will sometimes be the subject matter in his work too.
He knows a good tropical hideaway or two !  I like the way the beach cave and shadow look like the head of a monster about to eat it’s wandering visitors.
Whether it’s the calm of the lakeside or the buzz of a crazy city, he’s been there with his camera.
Do you have any plans to show your work in any other formats ie gallery, books etc?
If the opportunity presents itself I might, but it is not something a strive towards. At least not at the moment.
Any thing else you’d like to add ?
 It’s not rocket science. People have too much respect for their cameras. Play around with it and have fun.
Thanks Andreas for letting us share this.  Beautiful work, don’t you think ?

Fishink in Tarporley.

September 28, 2012

Once again I was over visiting friends in Tarporley last weekend. It’s always a joy to visit there and live in a world of country lanes, rolling fields and most of all tremendous cooking ! Saturday was a day filled with sunshine and the garden plants were filled with butterflies.

We took a walk into Tiverton and along the canal.

Amazingly we came across a Ukulele Festival at The Shady Oak, a lovely pub on the banks of the canal.

It was the first time I’d heard classic Bowie songs like Ziggy Stardust and Life on Mars played by Ukulele ! lol A wonderful find.

We walked on around the country lanes and came across some beautiful homes and gardens.

There was great colour in the hedgerows.

Tarporley village was in flower, and my friends cooking and home produced vegetables were as stunning as ever. I love these purple carrots.

Much home baking, scones, salt dough, paella and peaches drizzled in vanilla and honey before being baked in the oven. Sigh it’s a hard life !

Thanks again to my friends for another ‘totally spoilt’ weekend.